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Caslon font paired with optima series#
Want to learn more about how Adobe Illustrator works? Check out my Illustrator Explainer Series - a comprehensive collection of over 100 videos where I go over every tool, feature and function and explain what it is, how it works, and why it's useful. Want to learn more about how Inkscape works? Check out the Inkscape Master Class – a comprehensive series of over 50 videos where I go over every tool, feature and function in Inkscape and explain what it is, how it works, and why it’s useful. I’ve been having a lot of fun with this one since discovering it. This is actually a premium font I found of Creative Market that was designed specifically to be paired together. I’ll cap this post off with a recent discovery - the Serrona font family.
Caslon font paired with optima free#
Free Serif is a longtime favorite of mine, and it pairs nicely with a very clean and simple sans font like Tex Gyre Adventor. I can’t wrap this post up without first including a nice serif logo font pairing. Montserrat has to be the best 100% free sans font that comes in a useful variety of different weights. MontserratĪnother pairing from within the same family. I prefer it so much that I used it for the Logos By Nick logo. Microgramma has a classic technological look that has somehow lasted through generations, and Avant Garde is a clean sans font that I prefer over Helvetica. Here’s a couple of classic premium fonts that contrast well with each other. They’re both classic fonts that I think will age gracefully. I regularly use them for the header graphics of my blog posts, YouTube thumbnails, and have even referenced them in many of my tutorials. My adoration of both League Gothic and Montserrat is no big secret. It adds for a nice bit of character, and the Lato font family has a casual sort of appeal that’s really fitting when that’s the context you’re designing a logo for. Is it cheating if I reference two fonts from the same family? One thing I love to do when designing logos is separate words with different weights. Dynalight + AcreĪnother combination of a sans font and a script font - a longtime favorite of mine. These two fonts make for an expensive, luxurious sort of look when pair together. The line weight consistency between these two is what really sells it. It can make for a really distinct look in a logo design. I love it when a sans serif and a script font can pair well with each other. This pairing is a little risky because of how decorative each font is, but I think they strike a nice art deco sort of balance together.
That said, here are some logo font pairings that complement each other quite well in my opinion. This is something I talked about a bit in my post about logo design mistakes to avoid. You don’t want multiple fonts fighting with each other for attention. There needs to be a hierarchy where there’s a primary and secondary reach for the viewer’s attention. If one font is decorative, then the other should be more basic and subtle.
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